
Early Bird: $15 (Up till 23 February 2026)
Standard: $20
NAF Group Bookings: $16 (Minimum 4 Tickets Purchased)
Ticket Pricing excludes Booking Fee. Booking Fee is as follows:
$6 booking fee per ticket for tickets above $60
$4 booking fee per ticket for tickets between $40.01 and $60
$3 booking fee per ticket for tickets between $20.01 and $40
$1 booking fee per ticket for tickets priced up to $20
Sessions:
28 March 2026: 7 pm
In Search of What Remains by NUS Wind Symphony traces parallel journeys across catastrophe-stricken worlds in search of survival and hope.
The featured repertoire includes Benjamin Yeo’s At the Break of Gondwana, which captures the aftermath of a seismic rupture, and Gloriosa by Yasuhide Ito, a stirring portrait of faith in the face of annihilation. The evening will also debut a new commission by Lee Jin Jun, as well as a dark reimagining of Queen’s Bohemian Rhapsody.
Before the performance, audiences can explore a series of interactive foyer installations that provide more context to the pieces.
Late Seating Policy
Latecomers cannot be admitted until an appropriate break in the show. For shows without an intermission, latecomers may risk being denied entry if there is no appropriate break in the show.
Admission of Children
All children require a purchased ticket for entry. As a courtesy to other audience members, infants in arms and prams, and children below six years of age cannot be admitted for ticketed shows.
Photography, Audio and Video Recording
Please refrain from using flash photography. Non-flash photo taking and video recording are welcome provided it does not obstruct the view or disturb the experience of others.
Access
The venue is wheelchair accessible. Please contact us at [email protected] if you have any access needs.
All information is correct at time of publishing but may be subject to change without prior notice.
The Promoter reserves the right to amend the above without prior notice. In the event of any dispute, the Promoter's decision is final.
NUS Wind Symphony
The NUS Wind Symphony (NUSWS), founded in 1968 as a military band, has evolved into one of Singapore’s premier wind orchestras, championing the educational and artistic value of wind bands. Under the baton of Conductor Mr. Francis Tan, NUSWS performs a versatile repertoire, from wind band classics to modern compositions. Notable accolades include a Gold with Distinction Award at the 2022 Singapore International Band Festival and Gold at the 2017 World Music Contest in the Netherlands.
As a credit-bearing group, NUSWS offers a holistic programme that nurtures artistic and leadership skills. The ensemble plays an active role in engaging the community through children’s concerts, school partnerships, and outreach initiatives.
Francis Tan | Conductor
Francis Tan is the Principal Tutor of the NUS Wind Symphony and the Resident Conductor at the NUS Centre for the Arts. Under his leadership, the NUS Wind Symphony achieved a First Prize (Gold Award) in Division 2 of the 2017 World Music Contest in the Netherlands and a Gold with Distinction in the Open Category of the 2022 Singapore International Band Festival.
Beyond his work at NUS, Francis has conducted esteemed ensembles such as the Orchestra of the Music Makers (OMM), the Yong Siew Toh Conservatory Orchestra, and Westwinds (Band of the Bukit Batok Community Club). He also leads the wind band programme at Anglo-Chinese School (Independent). Additionally, he played a key role in establishing the NUS Alumni Orchestra (NAO), an ensemble dedicated to engaging diverse audiences through interactive concerts and presentations.
Benjamin Yeo | Composer
Benjamin Yeo (b.1985) is a Singaporean composer-conductor internationally recognised for his wind band works. Published in Asia, America, and Europe, his music has been featured on major platforms such as the Midwest Clinic, the Japan Band Clinic, and the Asia & Pacific Band Directors’ Association Conference. His “Winds of Niagara” won the Dallas Wind Symphony Fanfare Competition and was premiered in March 2017 at the Morton H. Meyerson Symphony Center by the Dallas Winds. In addition to composing, conducting, and teaching, Benjamin is frequently invited as a clinician, adjudicator and guest conductor across Asia and the USA. A highly active and sought-after composer, he writes predominantly commissioned works and is a member of the Composers and Authors Society of Singapore (COMPASS).