Early Bird: $15 (Up till 23 Feb 2026)
Standard: $20
NAF Group Bookings: $16 (Minimum 4 Tickets Purchased)
Ticket Pricing excludes Booking Fee. Booking Fee is as follows:
$6 booking fee per ticket for tickets above $60
$4 booking fee per ticket for tickets between $40.01 and $60
$3 booking fee per ticket for tickets between $20.01 and $40
$1 booking fee per ticket for tickets priced up to $20
Sessions:
27 March 2026: 7.30 pm
The Legend of Hang Tuah: Redux reimagines the tale of legendary Malay folk hero, Hang Tuah, and his companions. Navigating shifting loyalties and broken bonds on his path to glory, the play explores the nuances of power, morality and love that transcend time and space.
A novel, sincere response to Randy Baker’s original script by NUS Stage, the performance draws on elements of silat, maskwork and Asian epic theatre. Directed by Chong Tze Chien and featuring original music by NUS Electronic Music Lab, The Legend of Hang Tuah: Redux presents a captivating dialogue between myth and reality.
Late Seating Policy
Latecomers cannot be admitted until an appropriate break in the show. For shows without an intermission, latecomers may risk being denied entry if there is no appropriate break in the show.
Admission of Children
All children require a purchased ticket for entry. As a courtesy to other audience members, infants in arms and prams, and children below six years of age cannot be admitted for ticketed shows.
Photography, Audio and Video Recording
Photography and all manner of unauthorised audio and video recording are strictly prohibited.
Access
The venue is wheelchair accessible. Please contact us at [email protected] if you have any access needs.
Advisory
This show may use theatrical haze, strobe lighting, coarse language and loud sounds. Viewer discretion is advised.
All information is correct at time of publishing but may be subject to change without prior notice.
The Promoter reserves the right to amend the above without prior notice. In the event of any dispute, the Promoter's decision is final.
NUS Stage
Founded previously as Varsity Drama in 2006, and later renamed in 2008, NUS Stage has long been dedicated to the nurturing of talents on stage who aspire to tell the untold stories of our generation and who keenly explore the underlying social issues through thought-provoking tales of human drama. The group is strongly committed to training actors, nurturing playwrights and grooming production teams who push creative boundaries and produce high quality, artistic content that engages its audiences.
Recent productions include Stage Fright!, a site-specific production directed by Chong Tze Chien for NUS Arts Festival 2025, Lao Jiu: A Play Within A Play directed by Chong Tze Chien for NUS Arts Festival 2024, and End of the Line, a jukebox musical directed by Chong Tze Chien for NUS Arts Festival 2023 with musical arrangements by Bang Wenfu.
Chong Tze Chien | Director
Chong Tze Chien is an award-winning playwright, director, and core member of Singapore theatre company The Finger Players. A National University of Singapore (NUS) graduate majoring in Theatre Studies, Chong served as Co-Artistic Directorand Company Director of The Finger Players from 2004 to 2018. Chong's passion for theatre has earned him widespread recognition with his critically acclaimed works, including PIE, published by The Necessary Stage, Epigram Books, and The Finger Players. As a playwright and director, he helmed Oiwa – The Ghost of Yotsuya, a SIFA commission in 2021. Featuring artists from Singapore and Japan, the production won five categories at the Straits Times Life! Theatre Awards in 2022, including Best Director and Production of the Year. Chong’s influence extends beyond Singapore, with his works being staged in the United Kingdom, Budapest, Taiwan, and Japan, earning him international recognition and acclaim.
Jamil Schulze | Director
Jamil Schulze (he/him) is the Co-Artistic Director of Nusantara Theatrics. He is a transdisciplinary artist, theatre-maker, and actor-movement trainer. He works across text & performance, theatrical stagings, television & film, movement work, installation & site activations and actor training. Often working in collaboration with other artists across mediums, his practice can be characterised by communal activations, syncretism, and the invitation to tune into the overlapping nature of our senses. He has contributed in various artistic capacities on works that have been featured in the Singapore Pavilion of the 15th Gwangju Biennale (South Korea) as part of Zarina Muhammad’s installation, Wonderfruit (Thailand), Esplanade Singapore and in the Singapore Art Museum (SAM)
Lian Sutton | Director
Tan Guo Lian Sutton is a theatre-maker, artist, and educator. Lian has played a significant role in Singapore's theatre landscape as a performer, a core member of the Dark Matter Theatrics collective, and more recently the Co-Artistic Director of Nusantara Theatrics. As a graduate of LASALLE College of the Arts’ BA (Hons) Acting program, he was honored with the Best Supporting Actor award at the 2017 Life! Theatre Awards for his compelling role in ‘Electra’. His practice is further enriched by a Masters in Arts Pedagogy and Practice, where he researched the pre-performance rituals of professional actors. A trained martial artist from an early age, Lian brings a unique physical discipline to his craft, creating visceral and meaning